Offering the ultimate in live recording capability, the LS-11 use the linear PCM recording format for optimal digital recording without compression.
With a 96 kHz/24-bit sampling frequency that takes quality above and beyond CD quality, the LS-11 capture every sound around you exactly as it is.
Combining and condensing the advanced technologies derived from Olympus's many decades of experience in the recording field, the LS-11 brings you high-fidelity sound recording that's ideal for everything from live music to the singing of birds.
The LS-11 - Unparalleled fidelity, anytime, anywhere.
The LS-11 is compatible with extra-high quality linear PCM recording with a quantization bit rate of upto 24 bits and sampling frequency of up to 96 kHz - far exceeding standard CD quality of 44.1 kHz/16-bit.
You can easily convert your recordings to CDs with the same quantization and sampling rate.
The built-in stereo microphones employ carving-processed aluminum with higher vibration absorbing characteristics.
The microphone amplifier uses discrete left and right-channel amp circuits to suppress interference, making high-quality "original sound" recording possible.
The LS-11 allow you to fine-adjust the recording level manually to obtain the optimum level by checking the level meter display on the LCD panel and the PEAK indicator.
An automatic level control function is also provided.
For the purest sound reproduction, the sound signal picked up by the microphones must be transmitted and amplified as accurately as possible without any signal deterioration.
To achieve this, the circuit boards have been carefully designed according to the latest innovations in sound-conscious design. The microphone amp employs discrete chips for the left and right channels to prevent interference with the signal between channels, assuring the clearest possible signal transmission with improved signal-to-noise ratio.
With the LS-11, the frequency response has been extended to lower frequencies, delivering richer and more powerful bass and mid-tones.
